Alcamenes, fl. 5th cent. B.C., Athenian sculptor, said to have been a pupil and rival of Phidias. He worked in gold, ivory, and bronze. His Aphrodite of the Gardens at Athens was one of the first sculptures to display the body in detail beneath drapery. Pausanias erroneously attributed to him the sculptures of the west pediment of the temple of Zeus at Olympia. He was also well known for his Hermes Propylaios [Hermes of the gateway] at the entrance of the Acropolis of Athens. A Roman copy found at Pergamum is in the Turkish Museum of Antiquities in Istanbul.

or Alkamenes

(born 5th century BC, Lemnos, in the Aegean Sea, and Athens) Greek sculptor. A younger contemporary of Phidias, he was noted for the delicacy and finish of his works, among which a Hephaestus and an Aphrodite of the Gardens are noteworthy. A copy of the head of his Hermes Propylaeus at Pergamum has been identified by an inscription, and he is said by the Greek traveler Pausanias (2nd century AD) to have been the creator of one of the pediments of the Temple of Zeus at Olympia.

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Alcamenes was an ancient Greek sculptor of Lemnos and Athens. He was a younger contemporary of Phidias and noted for the delicacy and finish of his works, among which a Hephaestus and an Aphrodite "of the Gardens" were conspicuous.

Pausanias says (v. 10. 8) that he was the author of one of the pediments of the temple of Zeus at Olympia, but this seems a chronological and stylistic impossibility. Pausanias (I, 8, 4), also refers to a statue of Ares by Alcamenes that was erected on the Athenian agora, which some have related to the Ares Borghese. However, the temple of Ares to which he refers had only been moved from Acharnes and re-sited in the Agora in Augustus's time, and statues known to derive from Alcamenes' statue show the god in a breastplate (one is depicted in this relief), so the identification of Alcamenes' Ares with the Ares Borghese is not secure.

At Pergamum there was discovered in 1903 a Hellenistic copy of the head of the Hermes "Propylaeus" of Alcamenes (Athenische Mittheilungen, 1904, p. 180). As, however, the deity is represented in an Neo-Attic, archaistic and conventional character, this copy cannot be relied on as giving us much information as to the usual style of Alcamenes, who was almost certainly a progressive and original artist.

It is safer to judge him by the sculptural decoration of the Parthenon, in which he must almost certainly have taken a share under the direction of Pheidias. He is said to be the most eminent sculptor in Athens after the departure of Pheidias for Olympia, but enigmatic in that none of the sculptures associated with his name in classical literature can be securely connected with existing copies.

References

• Andrew Stewart, One hundred Greek Sculptors : Their Careers and Extant Works (on-line)

External links

• Acamenes